CURRICULUM VITAE
KYUICHI SATO
I
Kyuichi Sato
1955 Born in Miyagi prefecture, JAPAN
1983 Graduated from TOKYO ZOKEI UNIVERSITY
Lives and works in SENDAI.
Solo exhibition
1983 Tamura art gallery (Tokyo)
1985 Maki art gallery (Tokyo)
1988 Maki art gallery (Tokyo)
1992 SAIENSU art gallery (Iwate pref.)
1994 SAIENSU art gallery (Iwate pref.)
1997 Art gallery Lumber House (Fukushima pref.)
2000 Maki Tamura art gallery (Tokyo)
2001 DAIKOKUYA art gallery (Tochigi pref.)
2009 Gallery FUKUYAMA (Tokyo)
2011 Gallery FUKUYAMA (Tokyo)
2013 Kawaguchi Project (Tokyo)
2020 Hitokita Project (Miyagi Pref.)
Group Exhibition ,Symposium
1984 HATAKE TEN (Art Space ZAOH)
1985 ROOF MATERIAL (Tokyo)
GEN-FU-U-KEI Vol.1 (Tokyo Metropolitan Art Museum)
1986 GEN-FU-U-KEI Vol.2 (Tokyo Metropolitan Art Museum)
1987 GEN-FU-U-KEI Vol.3 (Tokyo Metropolitan Art Museum)
1988 FUJIMI field sculpture exhibition (Nagano pref.)
1990 GEN-FU-U-KEI Vol.5 (Tokyo Metropolitan Art Museum)
1992 ART･EXHIBITIONMI-TA-BI(Yamagata pre.)
GEN-FU-U-KEI Vol.6 (Tokyo Metropolitan Art Museum)
1993 TAKIZAWA Art Field (Iwate pref.)
1994 AZ9 Art Festival (Miyagi pref.)
Lake NAGURI International Open-Air Art exhibition (Saitama pref.)
1995 Contemporary Art Museum in Nature (Yamanashi pref.)
TAKIZAWA Art Field (Iwate pref.)
Lake NAGURI International Open-Air Art exhibition (Saitama pref.)
1996 ArtFromZAOH (Miyagi pref.)
Contemporary Art Museum in Nature (Yamanashi pref.)
1997 Lake NAGURI International Open-Air Art exhibition (Saitama pref.)
9 DRAGON International Open-Air Art exhibition (COREA)
1999 Contemporary Art exhibition (Tokyo)
Art Renewal (Shizuoka pref.)
Lake NAGURI International Open-Air Art exhibition (Saitama pref.)
BOTANICAL Museum 2000 (Saitama pref.)
PENINSULA １ (Kanagawa pref.)
11 Stone Sculpture Symposium in HIRUKAWA (Gifu pre.)
2002 12 Stone Sculpture Symposium in HIRUKAWA (Gifu pre.)
2003 BOTANICAL Museum 2003 (Saitama pref.)
2004 INTERNATINAL SCULPTURE SYMPOSIUM (Mysore INDIA)
SUKAGAWA Stone Sculpture Festival （Sukagawa city）
Lake NAGURI Open-Air Art exhibition (Saitama pref.)
2006 9TH INTERNATIONAL “PROKONESSOS” MARBLE
SCULPTURE SYMPOSIUM （ＴＵＲＫＥＹ）
Chihaya-Akasaka mura Orpen-air Art Exhibition in Mt.Kongo(Osaka)
2007 THE 7th INTERNATIONAL SYMPSIUM OF FIELD STONE(GRANITE)
SCULPTURE “Vilnoja” (Lithuania)
2008 18 Stone Sculpture Symposium in HIRUKAWA (Gifu pre.)
2009 19 Stone Sculpture Symposium in HIRUKAWA (Gifu pre.)
2010 BOTANICAL Museum 2010 (Saitama pref.)
KIZUGAWA ART 2010 (Kyoto)
OKUMIKAWA Orpen-air Art Exhibition (Aichi pre)
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2011 21 Stone Sculpture Symposium in HIRUKAWA (Gifu pre.)
Artist Statement
In September 1984, the exhibition Hatake (6 artists) was held at Art Space Zao, the orchard of the owner of Maki and Tamura Gallery, and it became an opportunity for me to create works in the field.
The outdoor residency not only expanded my field of expression by freeing me from the white-cube method of making and exhibiting works, but it also gave me the opportunity to immerse myself in the act of expression with an awareness of the earth, and to conceive an unknown seed.
After that, I feel as if I have been driven by passion and have been struggling with creation (objects).
When I was nearing my 60th birthday, I began to feel a seed secretly growing inside my body, aching to acquire a new expressiveness.
I think the event that triggered the germination of the seed was when my mother, who had supported my creative activities and life for a long time, collapsed after the earthquake, and I moved to UBUSUNA to put an end to the drifting and wandering life I had led since the age of 15.
In UBUSUNA , I had the memory of a decaying custom, like a withered branch of a large tree. Even the festivals, which were supposed to have conveyed the passionate spirit of the community for many years, were only being handed down and protected by a few old people. When we try to establish a relationship with the things and things we perceive in our daily life from the inner desire of our hearts, we find that it starts from the value system inherited by the UBUSUNA space and the surface information that we have absorbed and selected through our activities. I would like to visualize, touch, and visualize the fear that the enlarged information will cover the maternity soil and cause the loss of the balance of life forms.
20thJan.2020 Kyuiuchi Sato
Education
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